Latest BPA release: Seattle ft.Emmy the Great

I want to love this track, but I don't. I have always been a huge fan of Norman Cook's work and love some of the stuff that Emmy the Great has done, but this track just doesn't do it for me. Maybe I should say 'yet'. Maybe it will grow on me.

Of course, with the US election going on right now (no results in yet whilst I am writing this), the song is well-timed. And if Obama wins and the world feels optimistic again about the future of America, it will be even more fitting. We will have to wait and see.

Personally, I am looking forward to the general release of the track 'He's Frank' from BPA, featuring Iggy Pop. Now that's a good tune. I wonder if it will ever be released as a single.

The BPA, Toe Jam. Featuring David Byrne and Dizzee Rascal

Great track from Norman Cook yet again on Southern Fried Records, under the name BPA or Brighton Port Authority. And how wonderful it is to hear a good David Byrne vocal on a track like this, the man's a legend! As a matter of fact...so is Norman Cook. Big up!

Oh, and I just checked with Norman and the backing vocals on Toe Jam are ones that he recorded here in Belize with us with the Garifuna women. I thought I recognized it. That just shows again how great Norman is at grabbing odds and sods from everywhere and turning them into something amazing.

BTW...the track he did with Iggy Pop is also fantastic. Top bloody producer!

What the Belizean press had to say about the recent Norman Cook/Andy Palacio recording

The Channel 7 report: Fatboy Slim & Andy Palacio: Garifuna Meets British Dance

One of them is a British producer who draws thousands to all night raves; the other is a Barranco boy who recorded his latest album in a thatch house on Hopkins Beach. Put them together and what do you get? A little bit of international dance musical sensation Fatboy Slim, and a little Bit of Garifuna superstar Andy Palacio. The two recorded last week in San Pedro and courtesy of Stonetree Records we have the videos from the four day session. Here's what it looked and sounded like.

Jules Vasquez Reporting,The Stonetree Crew flew out so San Pedro to Mata Grande Studios, four miles north of San Pedro Town to meet Norman Cook, aka Fatboy Slim. His idea is to marry dance music popular in Europe with Garifuna instruments, styles and singers. Add a little of the Grandmaster to that and you've got….something.

Fatboy Slim,"See what happens when English music met Belizean."

And from his end, Fatboy Slim brings a lot. As a vastly popular British DJ and much sought after remixer, he's played to tends of thousands, sold hundreds of thousands of records, and won an MTV Best Video Music Award for this song weapon of choice. But now, he's in Belize looking for new inspirations and experimenting. On what? He doesn't know.

Fatboy Slim,"You can't really explain experiments or experimental."

And that experimental urge led him to the Garifuna Collective. He wanted to see how their sounds would work on his records.

Fatboy Slim,"We arrived here with no real songs, no real ideas. I came here with a CD with beats and bass sounds from England and about half an idea of what to do and over the last four days we've hang out with the local musicians, listen to what they do, try to match the two and see what happens."

But how does Garifuna music with its African rhythms that go back centuries intersect with electronic music pioneered over the last two decades? Well, right here. In fact, this could be the textbook study. Joshua Arana playing the Primera Drum showed Fatboy how he could slow the pace, and seamlessly ride his electronic rhythm track.

After getting the percussion pattern from Cook, Giovanni Chi did pretty much the same for the turtle shell and it hit the spot for Fatboy Slim. And while Lugua Centeno was circumspect, Grandmaster felt it, right off.

You could call it roots funk - and to make it even funkier, how about putting a wah pedal on a drum? To our knowledge its never been done but between Stone Tree's Al Obando and Fatboy, they weren't afraid to try. For those who don't know the wah pedal is made for a guitar, and alters its tone. Here's how it sounded in the Fatboy track.

A murky mystery of a tone - but that's where the spirit of experimentation took them. And its that kind of experimentation that made the tracks starts to come together to the satisfaction of artists from both traditions.

But while he may aspire to play the drums, Andy isn't ready to go into electronic dance music at least not just yet. He did write a song, worked it out with Fatboy, and delivered. Backup singers Cella Torres and Deseree Arana also got in on tracks. And if that sounds plain, this is how it sounded in the mix.

After a few days of that, Arana too was made into a believer. And by the time, Fatboy Slim had finished four days of recording, he, the Garifuna Collective and the engineers had put together three tracks - which he says is just a start.

Fatboy Slim says that definitely two of the tracks will make his next album. He may also do a remix of one of the tracks from Watina. After that session, Andy Palacio headed to Europe, where he will make a live television appearance in France in support of his new album Watina.

Swimming with sharks and playing turtle shells, yes it's another hard day at the office...

Well, we're back from the jamming sessions with Norman Cook and Belizean the artists Andy Palacio, the Grandmaster and the Garifuna collective. It was just the nicest week ever with night time drumming sessions on the beach, snorkeling trips, jamming, fishing, recording songs, sunbathing and walking barefeet on the beach. It really couldn't have been any more perfect.

The first day was a bit chaotic as there were so many people at once, but things soon slowed down and good music was made in the process. Norman recorded 3 songs whilst he was here, with my favorite being a slighly more down-tempo track with Andy Palacio and the Grandmaster, which I think will be called 'GMT'. The stuff that was recorded here will not be released as Fatboy Slim, but as the Mighty Dub Katz on Norman's label Southern Fried Records.

One of the things that was interesting to see was the interaction between someone like Norman, who is of course a big time DJ/producers & these local musicians, none of which are professionals (even Andy Palacio, the biggest Belizean star, is a diplomat as well as an artist). Norman was surprised to see how all the Belizeans just froze the minute the recordings started in the studio. The whole set-up was just too alien for them & they struggled to create a vibe like they had the night before when drumming on the beach.

Ivan Duran from the Belizean label StoneTree Records explained that this was a common problem and that all their albums are therefor recorded in people's houses, with the singer set up in the kitchen, the drummers in the bedroom, etc.

Still, Norman patiently persevered and eventually managed to get some great stuff out of everybody.

Setting things up.


Norman trying to figure out where 'the vibe' has gone:

We were all so sad to leave. Maybe the following pictures will help explain why...

Caroline Prothero from Prohibition, Nathan from Southern Fried, Norman, Andy, the kids and I on our way to Shark Ray Alley, where we snorkeled with nurse sharks, sting rays, eagle rays, turtles and more.


One of the daily fishing sessions at the end of the pier (hoping to catch dinner). Much was caught, including a crab, but nothing big enough to feed us.

The biggest fish of the week was caught by Aidan. Sadly though, it was made of fabric. Lucas' 6-year-old friend Justin kept telling people that he had caught 'a slapper' the night before, which we believe was the snapper that the boys had caught (we didn't correct him as we all found it too funny)

Drummer playing the turtle shells. Norman loved the sound that night, but was less keen on them when he got awoken at 7 am the next morning by the 'tuning of the shells' outside his bedroom door. Still, it's all part of being in the tropics.